Johann Strauss II - Kaiser-Walzer (Emperor Waltz), Op. 437

Strauss often played in the glittering Imperial balls, conducting the orchestra and playing the first violin at the same time.   The majestic launch of this fascinating waltz presents the backdrop of the celebration of the 40th anniversary of the hegemony of the Austrian Emperor Franz Joseph in 1888. Johann Strauss II was Music Director of the Dance Hesperides of the Imperial Court from 1863 to 1872 and composed on occasion for the celebration of an imperial anniversary. The ingenuity of the melody of the Emperor Waltz, which was originally orchestrated for a full orchestra, is such that it was easily adapted for the four or five instruments of a chamber ensemble by the Austrian composer Arnold Schoenberg in 1925. This waltz is a tender and somewhat melancholic work, which at times turns its gaze nostalgically to the old Vienna. The waltz praises the majesty and dignity of the old monarch, who was fully devoted to his people. It begins with a majestic, magnificent march, which soon re

Tschaikovsky - 1812 Overture, op. 49

Tchaikovsky's Overture 1812 expresses Russia's nationalist spirit for the Russians' magnificent victory over Napoleon.

In 1880, when he was writing the charming Serenade for Strings, Tchaikovsky undertook to compose a "ceremonial introduction" for an exhibition of industrial art in Moscow. As a theme of his introduction he chose Napoleon's Russia Campaign, which ended with the great victory of the Russian Army. At first the composer intended the introduction to be for outdoor performance and felt that it should be "very loud and noisy". Since then the introduction has become his most famous and most popular concert work.

The "1812 Overture" is in fact an introduction to a concerto, in other words is a stand-alone work of orchestral music and not an introduction to opera or a more extensive work. The play describes the invasion of Russia by Napoleon's troops in 1812 and their retreat and defeat in the winter of the same year. Despite the composer's doubts about the music, it is certainly a very successful anniversary project.

It begins gently and ritually with the strings that play the melody of an old Russian anthem. Soon the music becomes rhythmic, as Napoleon's troops are promoted to Russia. Tchaikovsky depicts the warring troops using escerpts from the French national anthem (La Marseillaise) and various Russian traditional melodies.

The Spirit of Mother Russia

But another theme that violins play high, invokes the insetheless spirit of Mother Russia. The sound of the cannon and the cymbal squash, recalls the battle of Borodino, near Moscow (the French arrived in Moscow, but were soon forced to retreat due to devastation they suffered from the terrible Russian winter).

The introduction celebrates the final Russian victory with musical cannons and a joyous bell, while the brass instruments triumplantly announce the theme of the Russian national anthem.


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