MusiLLection

Exterior of La Scala in Milan, where several of Rossini’s operas were performed. Gioachino Rossini emerged as one of the most dazzling figures of early 19th-century opera. Gifted with extraordinary melodic fluency and theatrical instinct, he conquered Italy’s major stages before the age of forty. Yet at the height of his fame, he made the unexpected decision to withdraw from operatic composition. His career unfolds as a story of meteoric success, artistic wit, and a late creative retreat that remains one of music history’s most intriguing turns. 1792 Born on February 29 in Pesaro, Italy, into a family of musicians — an environment that shaped his early artistic development. 1804 Composes the Six String Sonatas , a youthful work already revealing his melodic gift. 1806 Enrolls at the Bologna Music School and writes his first opera, Demetrio e Polibio , marking the beginning of his theatrical path. 1810 Produces successful comic operas such as The Marriage Contract and The Stra...

Modern violin with four strings and bow. If one were asked to list musical instruments, the violin would almost invariably stand at the top. Its clear, penetrating tone is instantly recognizable, and its versatility has secured for it a leading position within the orchestra. From the seventeenth century onward, the violin has remained a central pillar of both art music and vernacular traditions. Its construction reached structural maturity in Renaissance Italy, particularly in Cremona, where instrument makers established enduring standards of form and acoustic balance. The violin consists of a wooden resonating body with arched top and back plates, ribs, a bridge, and four strings. It is tuned in perfect fifths : G, D, A, and E. Its relatively compact size allows for agility and rapid response, while the bow—light and flexible—provides refined control over articulation and dynamics. In the symphony orchestra, the violin holds a prominent role. First violins often carry the principal...

Chopin ’s relationship with the waltz was complex and often ambivalent. Although the genre dominated the social music culture of his time, he approached it less as a dance form and more as a character piece . Of the eighteen waltzes he composed, he published only eight during his lifetime, and reportedly requested that the others be destroyed after his death — a gesture that suggests not only artistic selectivity, but also a certain reservation toward the genre’s public associations. Unlike the Viennese waltz, grounded in periodic regularity and clear dance function, Chopin’s waltzes preserve the triple meter while subtly reshaping it. The rhythmic pulse remains recognizable, yet it is frequently softened through rubato , expanded phrasing, and a harmonic language oriented toward introspection rather than symmetrical brilliance. The dance becomes an internal gesture rather than a social display. Waltz No. 9 in A-flat Major, Op. 69 No. 1 Published posthumously, this waltz exemplifies C...

Portrait of Robert Schumann in his mature years, reflecting the inner tension that marked his life. Robert Schumann was born on June 8, 1810, in Zwickau , a small provincial town in northern Germany. He grew up in a household shaped by books, ideas, and quiet intellectual ambition. His father, a bookseller, believed deeply in the formative power of culture, and young Robert spent countless hours immersed in classical literature. From an early age, he dreamed not of music alone, but of writing—of becoming a storyteller. Even as a child, Schumann invented imaginary characters and carried on inner dialogues with them. What appeared at first as youthful imagination gradually revealed itself as something deeper: a need for inner refuge , a way of managing emotional tension long before he could articulate it. The seeds of a divided inner world were already present. Zwickau, the small German town where Schumann was born and spent his early years. The year 1826 marked a decisive rupture. The...

Portrait of Domenico Scarlatti, whose groundbreaking keyboard sonatas transformed the expressive possibilities of the harpsichord. To fully realize his extraordinary gifts, Domenico Scarlatti had to free himself from paternal authority and emigrate. Only through distance and independence was his creative imagination able to unfold—ultimately to the great benefit of music itself. In his search for the new, Scarlatti focused almost exclusively on keyboard composition, particularly for the harpsichord, an instrument that was rapidly evolving and gaining an increasingly central place in the musical life of his time. The 555 keyboard sonatas that emerged from his creative mind are far more than technical studies or mere esercizi , as he modestly called them. Rather, they form an imaginative and remarkably varied collection of short works that introduce bold new playing techniques and anticipate the mature tripartite sonata form. These compositions reveal an exceptional reservoir of harm...

  A ballroom scene evoking the glittering waltzes of Johann Strauss II and the musical world of nineteenth-century Vienna. An der schönen blauen Donau (The Blue Danube, Op. 314) by Johann Strauss II did not initially emerge as the iconic orchestral waltz known today. The work was originally conceived as a choral waltz , marking Strauss’s first significant attempt to combine dance music with vocal writing. Commissioned by the Vienna Men’s Choral Society, the piece was intended for performance in February 1867 at the annual Carnival Festivity, a lavish masked musical celebration. This first version failed to achieve immediate success, most likely due to the rather conventional quality of its lyrics. Later that same year, Strauss presented the work in a purely orchestral version, and its fortunes changed dramatically. The melody of The Blue Danube rapidly captivated international audiences, spreading across Europe and beyond, and establishing itself as one of the most famous waltze...