Tschaikovsky - 1812 Overture, op. 49

Tchaikovsky's Overture 1812 expresses Russia's nationalist spirit for the Russians' magnificent victory over Napoleon. In 1880, when he was writing the charming Serenade for Strings, Tchaikovsky undertook to compose a "ceremonial introduction" for an exhibition of industrial art in Moscow. As a theme of his introduction he chose Napoleon's Russia Campaign, which ended with the great victory of the Russian Army. At first the composer intended the introduction to be for outdoor performance and felt that it should be "very loud and noisy". Since then the introduction has become his most famous and most popular concert work. The "1812 Overture" is in fact an introduction to a concerto, in other words is a stand-alone work of orchestral music and not an introduction to opera or a more extensive work. The play describes the invasion of Russia by Napoleon's troops in 1812 and their retreat and defeat in the winter of the same year. Despite

Georges Bizet - Introduction

Portrait of Georges Bizet.

In his short passage from the earth - he lived for only thirty-seven years - Georges Bizet never tasted the happiness of success. Yet this admiredly gifted composer also possessed a work, the opera Carmen, which was meant to be one of the most popular music compositions. The constant compromises he was forced to make have certainly been an obstacle to the enjoyment of the popularity he deserved.

His opponents outnumbered his supporters. But considering that Nietzsche proposed Bizet's music as an antidote to the sonic rationality, dogmatism and meticulousness of Wagnerian lyrical dramas, we understand that the acceptance or rejection of the French composer's music was primarily a matter of not as much objective value and assimilated disposition as prejudices and antagonisms.

In his short and not particularly bright life, some relatively time devoted to primary musical creation. He did not make the most of his abilities and facilities, but composed music full of freshness and charm with orchestrations of transparency and colorfulness at the same time, music full of soothing qualities but also triggering of excitement and emotion mechanisms.

And we must not forget, of course, that his masterpiece Carmen, a play watered down with theatrical realism, holds the place of the forerunner of Italian verism.