Carl Maria von Weber - Euryanthe: Overture

Carl Maria von Weber composed the opera Euryanthe  during the period 1822-23 and first presented it in Vienna on October 25, 1823. The work was based on a French medieval history of 13th century.  The year Euryanthe was presented was marked by Vienna's interest in Italian operas, particularly those of Rossini . Although the initail reception was enthusiastic, the opera lasted only twenty performances, with complaints about the libretto and the length of the opera. For the failure of the play, the somewhat wordy libretto of the poet and writer Helmina von Chézy was blamed. Franz Schubert also commented that "This is not music". Nevertheless, the introduction is an excellent example of orchestral writing and remains one of the best. The Overture begins with an extremely lively and cheerful phrase. Oboe and clarinet, supported by horn and trombones, then present a theme of three emphatic notes, followed by a shorter ascending group of notes (with a stressed rhythm). Soon t

Liszt - Hungarian Rhapsody No. 5

Liszt's love of Hungarian gypsy music initially inspired him to publish a series of works entitled Hungarian National Melodies. Much of the material was transformed into Hungarian Thapsodies and produced over a long period of time, starting in 1846. These works were first written for piano. Some, like this one, the composer later orchestrated them.

The music begins darkly, with the deep strings playing in unison. Then the violins evolve the original melody, sad and nostalgid, followed by a solo of the cello.

For a very short time, the key changes from minor to major, but emotional relaxation is temporary.



The atmosphere of the work is generally melancholic and sceptical. The tragic mood, created by the strings that often play on the substrate of the dark chords of the wood and brass instruments, prevails until the last sad note.




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