Carl Maria von Weber - Euryanthe: Overture

Carl Maria von Weber composed the opera Euryanthe  during the period 1822-23 and first presented it in Vienna on October 25, 1823. The work was based on a French medieval history of 13th century.  The year Euryanthe was presented was marked by Vienna's interest in Italian operas, particularly those of Rossini . Although the initail reception was enthusiastic, the opera lasted only twenty performances, with complaints about the libretto and the length of the opera. For the failure of the play, the somewhat wordy libretto of the poet and writer Helmina von Chézy was blamed. Franz Schubert also commented that "This is not music". Nevertheless, the introduction is an excellent example of orchestral writing and remains one of the best. The Overture begins with an extremely lively and cheerful phrase. Oboe and clarinet, supported by horn and trombones, then present a theme of three emphatic notes, followed by a shorter ascending group of notes (with a stressed rhythm). Soon t

Saint-Saëns - Allegro Animato, op.167 from the Clarinet Sonata in E flat Major

The Clarinet Sonata is one of three wooden wind sonatas written by the composer in 1921, the last year of his life. The other two are for oboe and bassoon. All three sonatas show Saint-Saëns's growing preference for more delicate, kinder texture and sound. Camille Saint-Saëns intended to write a second series of wooden wind sonatas on his holiday in Algiers in 1921, but died before they began their composition.

Allegro Animato's lively opening melody is indicative of the light and playful mood of the piece. The clarinet is clearly the soloist here, while the piano provides accompaniment with melodic harmonies and occasional counterphrase.

Later, Saint-Saëns incorporates anoding and unusual leaps into the melody, but that doesn't bother the comfortable flow of music at all, where the previous themes are re-heard and the part ends with a politely up-and-coming harp of the clarinet.