Carl Maria von Weber - Euryanthe: Overture

Carl Maria von Weber composed the opera Euryanthe  during the period 1822-23 and first presented it in Vienna on October 25, 1823. The work was based on a French medieval history of 13th century.  The year Euryanthe was presented was marked by Vienna's interest in Italian operas, particularly those of Rossini . Although the initail reception was enthusiastic, the opera lasted only twenty performances, with complaints about the libretto and the length of the opera. For the failure of the play, the somewhat wordy libretto of the poet and writer Helmina von Chézy was blamed. Franz Schubert also commented that "This is not music". Nevertheless, the introduction is an excellent example of orchestral writing and remains one of the best. The Overture begins with an extremely lively and cheerful phrase. Oboe and clarinet, supported by horn and trombones, then present a theme of three emphatic notes, followed by a shorter ascending group of notes (with a stressed rhythm). Soon t

Verdi - Il Trovatore

The vague plot of this opera of Giuseppe Verdi, with libretto based on a Spanish play, did not prevent its success at all when it was first played in Rome. As in the past, there were problems with church censorship about Leonora's suicide in the end. The problem was solved in an almost comical way: Leonora does not take the poison on stage, but the words of the suicide scene remained!

Coro di Zingari

It is the story of a goung troubadour, Manrico, his gypsy family and his conflict with an enemy and erotic rival, Di Luna, who at the time of Manrico's execution turns out to be his brother. One of the famous hits of this opera is the wonderful Coro di Zingari (Anvil Chorus), an exciting and enthusiastic vocal creation.

- Squilli, echeggi la tomba guerriera

Another masterful choral is heard later in the strong and edgy song of the soldiers, Squilli, echeggi la tomba guerriera (Let the trumpet sound of war songs).

- Ah si, ben mio

On the contrary, Manrico's love song to the heroine, Leonora, Ah si, ben mio (Oh yes, darling), is almost Mozart in his austerity and noble lyricism.