Although Requiem was a religious work, it was presented more in concert halls than in churches. Giuseppe Verdi wrote the famous Requiem in honour of his close friend, Alessandro Manzoni, the great Italian poet, writer, and humanist, who died in 1873. It is a powerful fusion of intense drama and passion, with moments of reverent simplicity. Verdi conducted the first performance at St. Mark's Church in Milan on May 22, 1874, the first anniversary of Manzoni's death. Revolutionary composition Verdi's Requiem has been revolutionary in two respects: First, because while the traditional requiem is a prayer of the living for the dead, Verdi's work was a function as much for the living as for the dead. As Verdi would expect, it's a dramatic, theatrical play. Written for four solo voices (soprano, mezzo-soprano, tenor and bass) with full choir and orchestra, it follows the typical Roman Catholic Latin mass for the dead. The "libretto" certainly comes from the dram
Mendelssohn - Violin concerto in E minor, Op. 64
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An image of Leipzig, the city that Mendelssohn promoted to the cultural capital of Europe and where his Violin Concerto in E minor was first presented.
Mendelssohn spent the summer of 1844 touring for a series of concerts for the eighth time in England. His holiday followed at the end of July in the small town of Bad Soden, near Frankfurt. During his stay there, he composed this Violin Concerto in E minor, Opus 64.
It premiered in Leipzig seven months later, on March 13, 1845. The concerto was performed by his friend, the eminent violinist Ferdinand David, who had assisted Mendelssohn in various technical details relating to the violin part. Mendelssohn was too ill to direct the concerto and ceded the director's job to Nils Wilhelm Gade's assistant.
Movements:
I. Allegro molto appassionato
The first movement begins with a lively but simple melody where the violin hovers over the orchestra singing cheerfully - unusual for a minor tone. The theme develops and passes to the orchestra, while the violin plays strong sequences of chords (two strings at the same time) and arpeggio that go up and down the scale. A melody prepares the way for the introduction of the second theme. The solo violin lowers to a restrained G and the woodwinds introduce a quieter theme. This theme develops, repeats and alternates related to the first melody before a dazzling cadenza follows. Unaccompanied solo violin makes a spectacular show followed by the lively return of the two previous themes. The music rises in an impressive escalation.
II. Andante
Then follows the second movement, the slow Andante, dominated by a lyrical, dreamy and subtle melody. As at the end of the first part, the transition to the final part is achieved with great skill.
III. Allegreto non troppo - Allegro molto vivace
In the third movenemt, Allegretto non troppo - Allegro molto vivace, the music ceases but wakes up again and unfolds politely to prevent a double fanfare and some vivid decorations, with the violin lively in a particularly vigorous place.
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