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Verdi - Don Carlos

Stage design for Verdi’s Don Carlos by Charles-Antoine Cambon, 1867
Don Carlos was conceived as a French grand opera based on Schiller’s drama. This stage design by Charles-Antoine Cambon (1867) reflects the Parisian operatic aesthetic, with the city of Paris visible in the background.

Don Carlos is one of Giuseppe Verdi’s most ambitious operatic projects, composed for the Paris Opéra and conceived in the tradition of French grand opera—a genre deeply admired by both the composer and the Parisian audience of the time. The libretto is based on Friedrich Schiller’s homonymous play, transforming its political and psychological conflicts into large-scale musical drama.

Although the opera was later adapted into Italian, Don Carlos remains a complex and uneven work, marked by structural revisions and multiple versions. Yet within this vast framework lies some of Verdi’s most inspired music, where intimacy and spectacle coexist with striking dramatic intensity.

Canzone del Velo

The opera’s protagonist, Don Carlos, is the son of the King of Spain and is tragically in love with his stepmother, Elisabeth. One of the most evocative moments in the score is the Canzone del Velo (Song of the Veil), a Moorish-inspired song that reveals Verdi’s refined understanding of Spanish folk idioms.

Here, Verdi employs bolero-like rhythms, flamenco-style ornamentation, and exotic orchestral colors to create an atmosphere of sensual mystery. The repeated opening verses act as a haunting refrain, suggesting an ominous vision while reinforcing the internal coherence of the entire section. The music oscillates between allure and foreboding, subtly foreshadowing the opera’s underlying tensions.




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