Carl Maria von Weber - Euryanthe: Overture

Carl Maria von Weber composed the opera Euryanthe  during the period 1822-23 and first presented it in Vienna on October 25, 1823. The work was based on a French medieval history of 13th century.  The year Euryanthe was presented was marked by Vienna's interest in Italian operas, particularly those of Rossini . Although the initail reception was enthusiastic, the opera lasted only twenty performances, with complaints about the libretto and the length of the opera. For the failure of the play, the somewhat wordy libretto of the poet and writer Helmina von Chézy was blamed. Franz Schubert also commented that "This is not music". Nevertheless, the introduction is an excellent example of orchestral writing and remains one of the best. The Overture begins with an extremely lively and cheerful phrase. Oboe and clarinet, supported by horn and trombones, then present a theme of three emphatic notes, followed by a shorter ascending group of notes (with a stressed rhythm). Soon t

Verdi - Don Carlos

"Don Carlos" was a French "grand opera" based on Schiller's work. This setting, designed by Charles-Antoine Cambon in 1867, expresses the French echo of the opera style, with the view of Paris in the background.

This opera of Giuseppe Verdi, based on the homonymous play by the German writer Schiller, was written for the Paris Opera in the style of the "grand opera" which Verdi himself love, as the French audience. 

Although it was adapted in Italian, it remains an uneven work that includes a lot of good music.

- Canzone del Velo

The hero of this opera is the son of the King of Spain, who is in love with his stepmother Elizabeth. In the dharming Moorish song, Canzone del Velo (Song of the Veil), Verdi demonstrates his knowledge of Spanish folk song, using bolero rhythms, flamingo-like decorations and exotic orchestration. 

Repetitions of the opening verses are a constant reminder of an evil vision and serve to maintain the coherence of the whole section.