Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time.  One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale

Vivaldi - Violin concerto in A Major

 - Allegro molto

- Andante

- Allegro

In the Baroque period, music shifted from the polyphonic style, which was customary in the Renaissance era (1400 - 1600), to a style of contrasts and individual melodies, supported by orchestral harmonys.

During his lifetime, Vivaldi was hailed as a reformist genius who broke the traditional, old-fashioned form of the concerto.

The Violin Concerto in Α Major is in the usual form which has three parts, but without the typical part for solo violin that exists in the Four Seasons.

The first part is a shiny and airy Allegro molto. 

The second part is a rather melancholy Andante in minor key.

The third part Allegro, is lively, robust and reminds the style of Handel.



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