Antonín Dvořák - Famous Works

The first page of Symphony No. 9 “From the New World”, signed by Antonín Dvořák. The handwritten notes on the left trace earlier ideas and dates that the composer later fused into one of the most iconic symphonies in music history.

Antonín Dvořák (1841–1904) was one of the most important composers of the late Romantic era and a leading representative of Czech national music. His works combine the Central European symphonic tradition with elements inspired by Slavic folk music, resulting in a style distinguished by lyrical richness and rhythmic vitality.

Dvořák composed in nearly every major genre of the nineteenth century, including symphonies, concertos, chamber music, opera, and choral works. His music occupies a central place in the international concert repertoire. The following is a representative selection of his most significant compositions.

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Orchestral Works:

Slavonic Dances, Opp. 46 and 72
Serenade for Strings in E major, Op. 22
Serenade for Winds in D minor, Op. 44
Czech Suite in D major, Op. 39

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Concertos:

Violin Concerto in A minor, Op. 53
Piano Concerto in G minor, Op. 33
Cello Concerto in B minor, Op. 104

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Chamber Music:

Piano Quintet in A major, Op. 81
String Quartet No. 12 in F major, “American”, Op. 96
Piano Trio in F minor, Op. 65
Piano Trio No. 4 in E minor, “Dumky”, Op. 90

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Symphonies:

Symphony No. 1 in C minor, “The Bells of Zlonice”
Symphony No. 4 in D minor
Symphony No. 5 in F major, Op. 76
Symphony No. 6 in D major, Op. 60
Symphony No. 7 in D minor, Op. 70
Symphony No. 8 in G major, Op. 88
Symphony No. 9 in E minor, “From the New World”, Op. 95

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Operas:

The Devil and Kate, Op. 112
Rusalka, Op. 114
Armida, Op. 115

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Choral Works:

Stabat Mater, Op. 58
Requiem, Op. 89
Te Deum, Op. 103

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🔎 Work Analyses of Antonín Dvořák on MusiLLection

You can explore detailed analyses of selected works below:

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Robert Schumann - Träumerei, from Kinderszenen, Op. 15 No. 7 (Analysis)

The Woodman’s Child by Arthur Hughes — an image reflecting the quiet innocence and dreamlike atmosphere of Schumann’s Träumerei ℹ️ Work Information Composer: Robert Schumann Work Title: Träumerei from Kinderszenen , Op. 15, No. 7 Year of Composition: 1838 Collection: Kinderszenen (Scenes from Childhood) Duration: approximately 2–3 minutes Form: Short piano miniature Instrumentation: piano _________________________ Few piano works have managed to capture, with such simplicity and sensitivity, the world of memory as Schumann’s Träumerei . Among the thirteen pieces of Kinderszenen (1838), the seventh stands out not only for its popularity, but for its enduring poetic resonance. For Schumann, music was never merely form; it was an inner language. Kinderszenen does not depict childhood — it reflects upon it. It is the gaze of the adult toward a lost world of innocence. As Schumann himself suggested, these pieces are “recollections of a grown-up for the y...

Johann Strauss II - Tritsch-Tratsch-Polka, Op. 214 in A major

The Tritsch-Tratsch-Polka , Op. 214, was composed in 1858 by Johann Strauss II following a highly successful concert tour in Russia. During the summer season, Strauss performed regularly at Pavlovsk, near Saint Petersburg, a fashionable venue for open-air concerts that played a crucial role in shaping his international reputation. Shortly after his return, the polka was premiered in Vienna on 24 November 1858. The title itself reveals Strauss’s playful wit. In German, “Tratsch” refers to gossip or idle chatter, while “Tritsch” carries no literal meaning. Together, the words form an onomatopoeic pun, imitating the sound of lively conversation—much like the English expression “chit-chat.” Such wordplay was characteristic of Strauss, who delighted in pairing light-hearted music with humorous or evocative titles. True to its name, the Tritsch-Tratsch-Polka bursts with energy and rhythmic vitality. Strauss once remarked that dancers might happily pause their movements, engaging in anima...

Frédéric Chopin – Ballade No. 1 in G minor, Op. 23 (Analysis)

The famous monument to Frédéric Chopin in Paris, reflecting the dramatic and poetic spirit of his music. ℹ️ Work Information Composer: Frédéric Chopin Title: Ballade No. 1 in G minor, Op. 23 Date of composition: 1831–1835 Dedication: Baron Nathaniel von Stockhausen First publication: 1836 Approximate duration: 9–10 minutes Form: Free narrative form with elements of sonata structure Instrumentation: Piano solo _____________________________ In early 19th-century aesthetics, the word “ballade” did not imply a codified musical structure but a narrative impulse rooted in poetry. Adam Mickiewicz’s dramatic ballads shaped an entire generation of Polish Romantic thought, and it was within this cultural atmosphere that Frédéric Chopin conceived his four Ballades. Yet Chopin did something unprecedented: he transformed a literary narrative model into an autonomous instrumental form. Unlike Robert Schumann , who frequently embedded explicit literary or autobiographical refere...

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