Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time. One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale
Georges Bizet - L’ Arlésienne, Suite No. 1
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Page from the manuscript of the composition of Bizet L' Arlesienne.
In 1872 Bizet wrote the stage music for a work of love and tragedy in rural Provence, written by Alphonse Daudet. Based on a true story, he refers to two brothers: Fréderi, who is in love with a girl from Arles, and L’Innocent, his mentally retarded brother, who miraculously regains his intelligence after his brother's death.
The play was not very successful and a month after its first presentation, Bizet created this four-part suite for a concert. Music immediately became popular and is the form in which L’ Arlésienne is heard today.
Movements:
I. Prélude, Allegro deciso
The Prelude to this tragic drama begins with an old Provenian march played by strings and woodwinds, first separately and then in unisono. Here are three variations of the theme, before the entire orchestra plays this lively march in its original form.
The second part is slow, strangely excruciating and low-key serene. This is the musical theme of L’Innocent, the retarded spiritual boy of the original work, which is rendered by the charmed saxophone.
The Prelude concludes with the ominous and passionate theme of Fréderi, the young man who is in love with "girl from Arles". This is inserted from the violins before other sections take over and eventually the entire orchestra.
II. Minuet, Allegro giocoso
Minuet begins with strings in a light music full of cheer and joy. Then, after a rhythmic, lyrical part, the clarinet and the saxophone play a beautiful tune, while the violins hover in a mesmerizing
contrapuntal melody. Everything is effortlessly and delightfully orchestrated. Towards the end of the part, the oboe sings a phrase and then the opening theme reappears. The part ends with a charming dialogue between strings and woodwings.
III. Adagietto
Adagietto is one of the finest parts of the suite. It depicts a youthful love that comes back to life after fifty years of separation and is full of courtesy and passion. It ends exquisitely with a serene, full-hearted phrase.
IV. Carillon, Allegro moderato
The sounds of the bell at the beginning of Carillon are disarmingly simple and announce the gathering of villagers preparing for the feast of the patron saint. The theme is repeated and changed before the introduction of a medium section, which includes a thoughtful melody in the flute. But while this melody is played by the flute and strings, the horns sound and gently lead the music back to Carillon's inaugural music, which ends with a resounding forte.
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