Skip to main content

Anton Bruckner – Life Milestones

Announcement of Anton Bruckner’s death, Austrian symphonist and organist.
Announcement marking the death of Anton Bruckner, whose symphonic legacy reshaped late Romantic music.

1824Anton Bruckner is born on September 4 in Ansfelden, Austria.
1834 – Begins substituting for his father as an organist.
1835 – Completes his basic education in Hörsching, where Johann Baptist Weiß serves as schoolmaster.
1837 – In June, his father dies. Anton is sent to the Augustinian monastery of Sankt Florian to serve as a choirboy.
1841 – Trains as a schoolteacher in Linz.
1845 – Appointed assistant teacher in Sankt Florian; falls in love with Louise Bogner.
1851 – Becomes permanent organist at Sankt Florian; pays his first visit to Vienna.
1855 – Begins formal studies with the renowned Viennese music theorist Simon Sechter.
1863 – Attends a performance of Wagner’s Tannhäuser, an experience of lasting artistic impact.
1866 – Completes Symphony No. 1 in C minor.
1868 – Appointed Professor of Music Theory at the Vienna Conservatory.
1871 – Visits England and impresses audiences at the Royal Albert Hall.
1872 – The Vienna Philharmonic Orchestra rejects Symphony No. 2.
1893 – His health deteriorates severely; he remains bedridden for much of the year.
1896 – Dies on October 11 in Vienna.

        Anecdote

        When invited to conduct one of his own works with the Vienna Philharmonic Orchestra, Bruckner stood motionless on the podium during rehearsal. After several minutes, the concertmaster politely remarked:

        “We are ready, Mr. Bruckner. You may begin.”

          Bruckner replied quietly:
         “Oh no—after you, gentlemen.”

         This moment perfectly reflects the composer’s humility and reverence toward performers, even in the face of his own monumental music.


Comments

Popular posts from this blog

Robert Schumann - Träumerei (from Kinderszenen, Op. 15 No. 7)

The Woodman’s Child by Arthur Hughes reflects the dreamy and introspective atmosphere of Schumann’s Träumerei from Scenes from Childhood . For Robert Schumann , music was almost always a deeply personal expression of introspection, emotion, and poetic reflection—qualities that firmly establish him as one of the most significant composers of the Romantic era. The piano was Schumann’s first great love, and his works for the instrument have proved remarkably enduring over time. Schumann composed Kinderszenen ( Scenes from Childhood ), his best-known piano cycle, in 1838. It consists of thirteen “peculiarly small pieces,” as the composer himself described them, each bearing a title that evokes a distinct childhood impression or memory. Although all thirteen pieces share a sense of intimacy and charm, “Träumerei” ( Dreaming ) stands out as the most beloved and universally recognized. The piece is frequently included in solo piano anthologies and is often chosen by virtuoso perform...

Johann Strauss II - Tritsch-Tratsch-Polka, Op. 214 in A major

The Tritsch-Tratsch-Polka , Op. 214, was composed in 1858 by Johann Strauss II following a highly successful concert tour in Russia. During the summer season, Strauss performed regularly at Pavlovsk, near Saint Petersburg, a fashionable venue for open-air concerts that played a crucial role in shaping his international reputation. Shortly after his return, the polka was premiered in Vienna on 24 November 1858. The title itself reveals Strauss’s playful wit. In German, “Tratsch” refers to gossip or idle chatter, while “Tritsch” carries no literal meaning. Together, the words form an onomatopoeic pun, imitating the sound of lively conversation—much like the English expression “chit-chat.” Such wordplay was characteristic of Strauss, who delighted in pairing light-hearted music with humorous or evocative titles. True to its name, the Tritsch-Tratsch-Polka bursts with energy and rhythmic vitality. Strauss once remarked that dancers might happily pause their movements, engaging in anima...

César Franck – Sonata in A Major for Violin and Piano

  Caricature of the celebrated Belgian violinist Eugène-Auguste Ysaÿe , for whom this sonata was composed and presented as a wedding gift. This radiant work ranks among the most beautiful compositions of César Franck . Although written when the composer was already past sixty, it possesses the emotional vitality and expressive intensity more commonly associated with the music of a much younger man. Dreamlike and often deeply romantic in character, the sonata was presented as a wedding gift to the distinguished Belgian violinist Eugène-Auguste Ysaÿe on 28 September 1886. A Stormy Dispute Franck worked on the sonata during the summer months, demonstrating his remarkable ability to shield his creative life from everyday turmoil. In the two or three years preceding its composition, intense disputes surrounded him, largely stemming from artistic disagreements with the established French composer Camille Saint-Saëns . Yet no trace of this unrest disturbs the serenity and balance of the ...