Carl Maria von Weber - Euryanthe: Overture

Carl Maria von Weber composed the opera Euryanthe  during the period 1822-23 and first presented it in Vienna on October 25, 1823. The work was based on a French medieval history of 13th century.  The year Euryanthe was presented was marked by Vienna's interest in Italian operas, particularly those of Rossini . Although the initail reception was enthusiastic, the opera lasted only twenty performances, with complaints about the libretto and the length of the opera. For the failure of the play, the somewhat wordy libretto of the poet and writer Helmina von Chézy was blamed. Franz Schubert also commented that "This is not music". Nevertheless, the introduction is an excellent example of orchestral writing and remains one of the best. The Overture begins with an extremely lively and cheerful phrase. Oboe and clarinet, supported by horn and trombones, then present a theme of three emphatic notes, followed by a shorter ascending group of notes (with a stressed rhythm). Soon t

Franz Schubert - Introduction


In his brief passage from earth, Franz Schubert marked the beginning of a great era. The evolution of romance would certainly be different without the testimony of the Vienné composer. He first managed to essentially connect music with poetry and achieve the absolute sign identification of musical expression with speech. He thus emerges as a true poet of sounds.

But Schubert was first a man and then a poet. He felt deeply the human suffering, which is why he managed to transform it with touching sincerity into music. The subtle melancholy that is detected even in the brightest moments of his music becomes a guide to diving into the sanctuaries of the human soul and a catalyst in the effort to explore human emotion.

All his works are dominated by the gentle agony of the futile search for personal happiness. The form of the trekker exists everywhere, dominant and distant; even in the compositions of pure music, where each phrase is equivalent to a wonderful song without words, proving the superiority of the creator in melodic inventions. The steps of the trekker can be heard to fade as he walks away, oversteps not only the happiness and joys of life, but also life itself.

(George Monemvasitis)



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