MusiLLection

  Portrait of Mozart around the age of thirty. Years of illness, exhaustion, and instability had already left visible traces on his face.     Wolfgang Amadeus Mozart was born on January 27, 1756, in Salzburg, then part of the Archbishopric of Salzburg. He was one of the most influential and versatile composers of the Classical era, whose work shaped the development of symphonic, chamber, operatic, and keyboard music. Early life and education Mozart’s exceptional musical talent manifested at a very early age. Under the guidance of his father, Leopold Mozart—an accomplished violinist and respected pedagogue—he received systematic training in keyboard, violin, and composition. By the age of five, Mozart was already composing short pieces and performing publicly. From 1762 onward, Leopold organized extensive concert tours across Europe, during which Mozart performed in major cultural centers and royal courts. These journeys exposed him to a wide range of musical styles ...

An 18th-century sketch depicts Beethoven at work on a composition. He was already celebrated as a virtuoso pianist before gaining lasting fame as a composer. Ludwig van Beethoven  stands as one of the most influential figures in the history of Western music. His output spans nearly every major genre of his time and reshaped the expressive boundaries of Classical form, paving the way for Romanticism. Below is a selected overview of some of his most important and widely performed works , grouped by genre. Symphonies Symphony No. 3 in E-flat major, Op. 55 – “Eroica” Symphony No. 4 in B-flat major, Op. 60 Symphony No. 5 in C minor, Op. 67 Symphony No. 6 in F major, Op. 68 – “Pastoral” Symphony No. 7 in A major, Op. 92 Symphony No. 8 in F major, Op. 93 Symphony No. 9 in D minor, Op. 125 – “Choral” Concertos Piano Concertos Piano Concerto No. 3 in C minor, Op. 37 Piano Concerto No. 4 in G major, Op. 58 Piano Concerto No. 5 in E-flat major, Op. 73 – “...

Set for Rossini's opera La Donna del Lago (The Lady of the Lake), written in 1819. Gioachino Rossini remains one of the most influential figures in the history of opera, particularly celebrated for his mastery of comic opera ( opera buffa ), his melodic brilliance, and his distinctive rhythmic vitality. His output spans opera, sacred music, instrumental works, and vocal compositions, many of which continue to occupy a central place in the repertoire. Operas: Tancredi L'italiana in Algeri (The Italian Girl in Algiers) Il turco in Italia Elisabetta, regina d'Inghilterra Il barbiere di Siviglia, ossia L'inutile precauzione (The Barber of Seville, or The Useless Precaution) Otello, ossia Il Moro di Venezia La gazza ladra (The Thieving Magpie) Armida La donna del lago (The Lady of the Lake) Semiramide Le siège de Corinthe (The Siege of Corinth) Mosè in Egitto (Moses in Egypt) Le comte Ory Guillaume Tell Sacred music: Messa di Gloria Stabat mater Petite messe solennelle Ins...

Costume design for L’italiana in Algeri , reflecting the exotic colour and theatrical elegance of Rossini’s opera buffa .    Gioachino Rossini was only twenty years old when he composed L’italiana in Algeri , a work that would mark his first major triumph in opera buffa and bring him international recognition. Written in less than a month, the opera premiered at the Teatro San Benedetto in Venice on 22 May 1813 and was greeted with immediate enthusiasm. Amazed by the opera’s success, the young composer reportedly remarked with characteristic wit: “I believed that when the Venetians heard my opera, they would consider me mad. Instead, they proved they were even madder than I was.” The French writer Stendhal , a passionate admirer of Rossini, famously described the work as “an organized and complete madness.” The opera was composed rapidly to fill an unexpected gap in the programme of the San Benedetto Theatre. Rossini had just achieved a sensational success with Tancredi ,...

The dark, dramatic atmosphere of Schubert’s “Unfinished” Symphony finds a visual echo in this romantic landscape painted by his brother, Ferdinand Schubert. Schubert’s Symphony No. 8 in B minor stands as one of the great enigmas in the history of music—an acknowledged masterpiece whose incompletion remains unexplained. By October 1822, Schubert had completed the first two movements and had made substantial progress on a third movement, a Scherzo , which survives in sketch form. At that point, he abandoned the symphony and turned his attention to other works, among them the Wanderer Fantasy . In 1823, Schubert sent the unfinished manuscript to his friend Josef Hüttenbrenner , who later passed it on to his brother Anselm , in whose possession the score remained undiscovered for more than forty years. It was not until 1865 that Johann Ritter von Herbeck, conductor of the Vienna Court Opera, persuaded Hüttenbrenner to release the manuscript. The symphony received its first performance i...

As a child prodigy, Mozart was celebrated across Europe, performing before aristocrats and royalty who rewarded him generously for his extraordinary talent. The optimism and apparent serenity of Mozart’s music stand in striking contrast to a life marked by financial anxiety, physical frailty, and constant inner unrest. Few composers embodied such a profound contradiction between artistic light and personal darkness. Born on January 27, 1756, Wolfgang Amadeus Mozart was a child prodigy of unprecedented scale. By the age of three he could reproduce melodies at the keyboard; at four he played the violin; before turning six he was already composing and performing in public. Music was not merely part of his upbringing—it was the very fabric of his existence. Even in play, young Mozart moved from room to room to the rhythm of imagined marches and dances. A painting depicting young Mozart playing with his father Leopold and his sister Maria Anna (“Nannerl”) during the Salzburg years  Und...

The original text of “Gott, erhalte den Kaiser!”, the Imperial Hymn by Joseph Haydn, with lyrics by Lorenz Leopold Haschka.  During the winter of 1797–1798 , Joseph Haydn composed a set of six string quartets, later published as Op. 76 , which he dedicated to the Hungarian Count Joseph Georg von Erdődy . These quartets belong to the summit of Haydn’s chamber music and reveal a master at the height of his creative powers. The String Quartet No. 62 in C major , Op. 76, No. 3, is universally known by the nickname “Emperor” ( Kaiserquartett ). The title derives from the second movement, which consists of a set of variations on “Gott erhalte Franz den Kaiser” (“God Save Emperor Francis”), a hymn Haydn composed in 1797 in honor of Francis II . The melody later became the national anthem of Austria-Hungary and is also familiar today as the tune of the German national anthem, Das Lied der Deutschen . Μovements : Ι. Allegro The opening movement begins with a deceptively simple five-note...

Despite childhood poverty and hardship, Haydn rose to become the most prolific and influential composer of his generation. Franz Joseph Haydn  , known in his childhood as “Little Joseph,” was born on March 31, 1732, in the small Austrian village of Rohrau, near the Hungarian border. His beginnings offered little promise. His father, Mathias Haydn, a poor wheelwright, was unable to provide his gifted son with formal education and watched helplessly as the boy’s obvious musical talent risked being lost. Haydn’s birthplace in Rohrau, near the Austro-Hungarian border. Fortune intervened in 1738, when a relative, Johann Matthias Frankh , schoolmaster and choirmaster in Hainburg, took the six-year-old Joseph into his care. There, Haydn learned the rudiments of music and sang in the choir. Yet this opportunity came at a high cost: his childhood was marked by deprivation and harsh discipline—“more beating than eating,” as Haydn later recalled.,  A Happy Getaway In 1739, Haydn’s circu...

Mozart’s penetrating musical insight and finely balanced craftsmanship expanded the expressive boundaries of every musical form he explored. Wolfgang Amadeus Mozart possessed an extraordinary ability to detach himself from the external world during moments of intense creativity. This is evident in the astonishing speed with which he composed his last three symphonies in the summer of 1788, as well as in the artistic clarity and balance that characterize these works. At the time, Mozart was experiencing deep personal distress. Burdened by severe financial difficulties and constant anxiety about the future, his circumstances were far from stable. Yet Symphony No. 40 in G minor reveals none of this turmoil directly. Instead, it presents music of remarkable inner poise and expressive restraint—testimony to a composer who refused to allow personal hardship to intrude overtly upon his art. Μovements : Ι. Molto allegro The first movement opens with a restless, agitated accompaniment in the ...

  Gioachino Rossini, composer of Semiramide , one of the last and most monumental operas of his Italian period. Semiramide is one of Gioachino Rossini ’s most ambitious and serious operatic works , marking the culmination of his Italian opera career before his final masterpiece, Guillaume Tell . Composed in two acts , the opera premiered at La Fenice Theatre in Venice on February 3, 1823 . The libretto by Gaetano Rossi is based on Voltaire’s tragedy Semiramis , itself inspired by the ancient legend of Semiramis, Queen of Assyria . One of the most distinctive features of Semiramide is its overture , which draws directly on thematic material from the opera itself. This approach strengthens the dramatic continuity between the instrumental opening and the unfolding stage action, anticipating techniques later adopted by Romantic composers. The overture opens with ominous drum rolls , followed by a rapid crescendo from pianissimo to fortissimo in less than half a minute—an immediate...

Between 1830 and 1835, Gioachino Rossini composed a series of arias and duets intended for the cultivated salons of Parisian society, where he was a celebrated and much-admired presence. These pieces were published collectively in 1835 under the title Soirées Musicales . Among them, La Danza stands out as one of the most brilliant and exuberant examples. Written in the lively spirit of the eighteenth-century tarantella, La Danza draws directly on the rhythmic vitality of the Neapolitan folk tradition. From the outset, the orchestra establishes the scene with the frenetic pulse characteristic of the Tarantella Napoletana , a dance form immensely popular at the time. The tenor enters with an impressively sustained opening note, immediately capturing attention before plunging wholeheartedly into the whirlwind energy of the piece. The percussion section—featuring cymbal, drum, and triangle—enhances the music’s exuberant and noisy brilliance, reinforcing its festive character without ove...

The original cover of Beethoven’s Pastoral Symphony , published in 1808, reflecting the work’s early reception and historical context. Ludwig van Beethoven  composed his Pastoral Symphony as a tribute to the countryside, inspired by his stays in Heiligenstadt , a rural retreat near Vienna. He settled there on medical advice, hoping that life close to nature might slow or reverse the deterioration of his hearing. While the natural environment filled him with joy and calm, it also deepened his despair as he gradually realized that his hearing would not recover. These conflicting emotions lie at the heart of the Pastoral Symphony . The work was composed between 1807 and 1808, simultaneously with the Symphony No. 5 . Remarkably, both symphonies received their first public performance on the same evening—a concert that challenged audiences with two radically different yet equally revolutionary visions. Overflowing with emotional content, the Pastoral Symphony stands as an early and ...

Portrait of Gioachino Rossini, whose natural brilliance and fearless mastery reshaped the art of opera. At the age of thirty-seven, having already composed thirty-nine operas, Gioachino Rossini declared his creative saturation and withdrew permanently from the genre that had both glorified him and been glorified by him. It was a bold decision—one he never reversed for the rest of his life. True to his nature, Rossini redirected his energy toward the pleasures that ranked highest alongside music: beautiful women and exquisite food. Spirited, perceptive, and instinctively social, he adapted effortlessly to every environment, quickly becoming both welcome and admired. He composed with astonishing speed and singular ease, yet his works reveal no trace of carelessness or haste. Rossini’s music flows with effortless naturalness, each phrase proclaiming the abundance of his innate gifts. Free from the anxiety of creative struggle, he produced music that radiates brightness, vitality, and r...

Joseph Haydn, the composer who shaped the symphony and founded the classical string quartet. The evolution of the art of sound would undoubtedly have followed a different path had eighteenth-century Austria not given rise to Joseph Haydn . Modest, generous, and quietly devoted to his craft, Haydn was at once an innovator and a legislator—an architect of musical form whose task was not to overturn tradition, but to shape it into lasting order. Few figures in the history of music have contributed as profoundly to the development of orchestral music as he did. Although he was not the inventor of the symphony, as is sometimes claimed, Haydn was the composer who recognized its definitive shape. He established the principles governing its structure, refined its internal balance, and perfected it both formally and expressively to the highest degree permitted by the musical means of his time. These achievements became the foundation upon which subsequent composers built. Wolfgang Amadeus Moz...

Joseph Haydn  composed his Trumpet Concerto in E-flat major in 1796 for the Viennese court trumpeter Anton Weidinger . At the time, Weidinger had developed a newly designed keyed trumpet , an instrument that significantly expanded the available pitch range compared to the traditional natural trumpet. Haydn immediately recognized the expressive potential of this innovation and exploited it with exceptional musical intelligence. The result is one of the very few trumpet concertos from the Classical period to remain firmly established in the repertoire—both for its technical demands and its lyrical beauty. Μovements : Ι. Allegro The first movement opens in the conventional Classical manner with a full orchestral tutti , presenting the principal thematic material. The solo trumpet then enters with confidence, elaborating on these ideas. A central development section explores the themes further before the return of the opening material. Toward the end, the orchestra falls silent, allo...

  The Concert by Nicolas Lancret reflects the social charm and growing popularity of public concerts in the eighteenth century. Wolfgang Amadeus Mozart wrote most of his piano concertos for his own performances and for his pupils. In 1785 alone, he composed three piano concertos, among them Piano Concerto No. 21 in C major , which he premiered in Vienna in March of that year. The piano concerto represents Mozart’s most decisive contribution to instrumental music. In this genre, he established a balance between soloist and orchestra that became a model for future generations. Later composers—most notably Ludwig van Beethoven —studied, emulated, and expanded upon Mozart’s concerto style. Much of the concerto’s popularity throughout the nineteenth century can be traced directly to Mozart’s mature works in this form. Μovements : I .  Allegro maestoso The opening movement begins with a stately, march-like theme in the strings. The entrance of the woodwinds lends the music a cer...

Moonlight over calm waters evokes the poetic imagery long associated with Beethoven’s “Moonlight” Sonata. Beethoven ’s genius radiates through the familiar themes of this iconic sonata, where a single instrument carries the emotional weight and dramatic breadth of a symphony. The Piano Sonata No. 14 , composed in 1801, reveals a new poetic direction in Beethoven’s keyboard writing—intimate, visionary, and structurally daring. The work was written before the composer’s hearing loss became irreversible and is traditionally associated with his affection for Countess Giulietta Guicciardi , to whom the sonata is dedicated. Whether autobiographical or not, the emotional trajectory of the piece—moving from inward stillness to unrestrained turbulence—suggests a deeply personal narrative. Beethoven himself did not call the work “Moonlight.” The nickname appeared later, inspired by a German poet who compared the first movement to moonlight shimmering on the calm waters of Lake Lucerne . From t...