Johann Strauss II - Kaiser-Walzer (Emperor Waltz), Op. 437

Strauss often played in the glittering Imperial balls, conducting the orchestra and playing the first violin at the same time.   The majestic launch of this fascinating waltz presents the backdrop of the celebration of the 40th anniversary of the hegemony of the Austrian Emperor Franz Joseph in 1888. Johann Strauss II was Music Director of the Dance Hesperides of the Imperial Court from 1863 to 1872 and composed on occasion for the celebration of an imperial anniversary. The ingenuity of the melody of the Emperor Waltz, which was originally orchestrated for a full orchestra, is such that it was easily adapted for the four or five instruments of a chamber ensemble by the Austrian composer Arnold Schoenberg in 1925. This waltz is a tender and somewhat melancholic work, which at times turns its gaze nostalgically to the old Vienna. The waltz praises the majesty and dignity of the old monarch, who was fully devoted to his people. It begins with a majestic, magnificent march, which soon re
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Chopin - Nocturnes, Op.9

Chopin's first nocturnes, Op.9, dates back to 1831. In England, in an effort to increase their sales, they were given the impressive title "Murmures de la Seine" (Whispers of the Seine).

Nocturne in B flat minor, Op.9, No.1

When Chopin composed this nocturne, he was going through an intensely emotional period. At the time, he was breaking up with Konstancja Gladkowska, a goung singer with whom he was in love. We inevitably recognize the echo of his personal feelings in a part of the music, although that does not mean that there is always a connection between a composer's work and his personal life.
This composition features all the characteristics of Chopin's nocturne: a soft, melancholic melody with a lacy texture, played with the gentle accompaniment of the open chords of the left hand.




Nocturne in E flat Major, Op.9, No.2

This nocturne expresses the mood of the private evening "lounges", where Chopin was feeling relaxed. It has a serenity full of grace and charm.




Nocturne in B Major, Op. 9, No. 3

This nocturne is an excellent example of Chopin's unique approach to this style. A richly decorated melody rises and descends over a flowing melody for the left hand. Then a touching central section leads to the repetition of the inaugural music.




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