Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time.  One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale
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Chopin - Nocturnes, Op.9

Chopin's first nocturnes, Op.9, dates back to 1831. In England, in an effort to increase their sales, they were given the impressive title "Murmures de la Seine" (Whispers of the Seine).

Nocturne in B flat minor, Op.9, No.1

When Chopin composed this nocturne, he was going through an intensely emotional period. At the time, he was breaking up with Konstancja Gladkowska, a goung singer with whom he was in love. We inevitably recognize the echo of his personal feelings in a part of the music, although that does not mean that there is always a connection between a composer's work and his personal life.
This composition features all the characteristics of Chopin's nocturne: a soft, melancholic melody with a lacy texture, played with the gentle accompaniment of the open chords of the left hand.




Nocturne in E flat Major, Op.9, No.2

This nocturne expresses the mood of the private evening "lounges", where Chopin was feeling relaxed. It has a serenity full of grace and charm.




Nocturne in B Major, Op. 9, No. 3

This nocturne is an excellent example of Chopin's unique approach to this style. A richly decorated melody rises and descends over a flowing melody for the left hand. Then a touching central section leads to the repetition of the inaugural music.




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