Tschaikovsky - 1812 Overture, op. 49

Tchaikovsky's Overture 1812 expresses Russia's nationalist spirit for the Russians' magnificent victory over Napoleon. In 1880, when he was writing the charming Serenade for Strings, Tchaikovsky undertook to compose a "ceremonial introduction" for an exhibition of industrial art in Moscow. As a theme of his introduction he chose Napoleon's Russia Campaign, which ended with the great victory of the Russian Army. At first the composer intended the introduction to be for outdoor performance and felt that it should be "very loud and noisy". Since then the introduction has become his most famous and most popular concert work. The "1812 Overture" is in fact an introduction to a concerto, in other words is a stand-alone work of orchestral music and not an introduction to opera or a more extensive work. The play describes the invasion of Russia by Napoleon's troops in 1812 and their retreat and defeat in the winter of the same year. Despite

Gershwin - Three Preludes for Piano

Gershwin's Three Preludes for Piano form a satisfying set: two fairly short and vivid parts on each side of a more extensive, slow center piece.

- Allegro ben ritmato e deciso

The first prelude has a playful lyrical rhythm and an appealing melody, which hints at Latin American rhythms such as the rumba and their close relationship with those of jazz.


- Andante con moto e poco rubato

The second prelude is the best known of the three. It is an other example of Gershwin's special way of editing the blues, with the slow, sluggish melody sounding over a canvas of repetitive chords for the left hand. A central part changes from minor to major and also transfers the melody to the left hand or bass line.


- Allegro ben ritmato e deciso

The rhythm of the final prelude takes us to the living world of dance, inspired from jazz.




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