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Schubert - Piano Quintet in A Major “The Trout” (Die Forelle), D. 667

Schubert and Johann Michael Vogl drawing from the period of the Trout Quintet
A contemporary drawing portrays Schubert as almost comically small beside his close friend Johann Michael Vogl, with whom he spent the joyful summer of 1819 in Steyr.

In the summer of 1819, Franz Schubert traveled to the small Austrian town of Steyr for a holiday with his close friend, the celebrated baritone Johann Michael Vogl. Surrounded by rocky mountain landscapes and invigorated by a carefree social atmosphere, Schubert spent much of his time making music with friends and local amateurs.

When members of Steyr’s musical circle asked him to compose a new chamber work, the cellist Sylvester Paumgartner suggested that Schubert draw upon a song he had written two years earlier, Die Forelle (“The Trout”). Schubert embraced the idea and expanded it into a radiant chamber composition, incorporating a set of variations on the song’s theme. He completed the quintet after returning to Vienna and sent the score back to Steyr, where it was first performed during the winter of 1819. The work was published posthumously in 1829, thanks to Vogl’s efforts.

Today, the Piano Quintet in A major, affectionately known as “The Trout”, stands among Schubert’s most beloved chamber works. Its instrumentation is highly unusual: violin, viola, cello, double bass, and piano—an ensemble rarely used before Schubert and never again with quite the same charm. This distinctive combination allows for remarkable transparency, warmth, and rhythmic buoyancy.

Movements:

I. Allegro vivace

The opening movement begins with a confident chord, unfolding into a broad, dance-like melody led by the piano. Schubert’s writing suggests the shimmering movement of water, as melodic ideas glide effortlessly from one key to another. Secondary themes appear almost as natural extensions of the main current, reinforcing the movement’s sense of continuous flow.


II. Andante

The second movement adopts a more reflective tone. Structured in two large sections, each subdivided into three parts, it alternates calm lyricism with moments of gentle animation. Even here, subtle references to the natural imagery of the “trout” world can be felt beneath the surface.


III. Scherzo: Presto

Energetic and optimistic, the Scherzo features a brilliant piano part that momentarily dominates the texture. The lively rhythm is unmistakably Schubertian. In the Trio, violin and viola engage in dialogue with the piano before the full ensemble returns, concluding with a reprise of the opening material.


IV. Thema con variazioni: Andantino - Allegretto

At the heart of the quintet lies the famous theme and variations based on Die Forelle. The theme is first presented simply by the strings, then reappears adorned with delicate embellishments shared between piano and strings. The subsequent variations explore contrasting characters: playful brilliance in the piano, a darker dramatic episode, and a particularly memorable solo for the cello. Throughout, the song’s melody remains a constant, unifying presence.


V. Allegro giusto

The finale resumes the joyful momentum of the opening movement. A rapid succession of melodic ideas propels the music forward, bringing this luminous and life-affirming work to a spirited and cheerful close.

The “Trout” Quintet perfectly captures Schubert at his most radiant: a composer capable of transforming friendship, nature, and song into chamber music of enduring freshness and irresistible charm.



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