Tschaikovsky - 1812 Overture, op. 49

Tchaikovsky's Overture 1812 expresses Russia's nationalist spirit for the Russians' magnificent victory over Napoleon. In 1880, when he was writing the charming Serenade for Strings, Tchaikovsky undertook to compose a "ceremonial introduction" for an exhibition of industrial art in Moscow. As a theme of his introduction he chose Napoleon's Russia Campaign, which ended with the great victory of the Russian Army. At first the composer intended the introduction to be for outdoor performance and felt that it should be "very loud and noisy". Since then the introduction has become his most famous and most popular concert work. The "1812 Overture" is in fact an introduction to a concerto, in other words is a stand-alone work of orchestral music and not an introduction to opera or a more extensive work. The play describes the invasion of Russia by Napoleon's troops in 1812 and their retreat and defeat in the winter of the same year. Despite

Johann Strauss II - "Frühlingsstimmen", Op. 410 ("Voices of Spring")

Originally written as aria in order to accompany a famous Italian soprano "Voices of Spring" did not make a good impression on the Viennese audience, who found the work mediocre and the melody vague. On the contrary, they met with widespread popularity abroad. 

The dance became popular in Vienna when Johann Strauss II decided to orchestrate it for concertos and among his many admirers was the famous pianist and composer Frantz Liszt.

After the rhythm of the waltz is introduced by the bass, the woodwinds, with the support of the entire orchestra, slide into a lyrical melody full of trills, gllisanti and other musical decorations. Then the music incorporates the gentle rustling of the leaves, distant hunting horns and sweet singing of birds.

Sometimes the music moves gently and slowly in an almost sad mood, before re-rocking with magnificence to a joyful purpose and then evolving into the wonderful climax of the end.