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Showing posts with the label Waltz

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Johann Strauss II – Wo die Zitronen blühen, Op. 364 (Analysis)

Johann Strauss II Romanticism Waltz Work Analysis

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Frédéric Chopin – Waltz in B minor, Op. 69 No. 2 (Analysis)

Frédéric Chopin Piano Romanticism Waltz Work Analysis

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Frédéric Chopin – Waltz in A-flat Major, Op. 69 No. 1 (Analysis)

Frédéric Chopin Piano Romanticism Waltz Work Analysis

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Johann Strauss II – The Blue Danube Waltz, Op. 314 (Analysis)

Johann Strauss II Romanticism Waltz Work Analysis

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Johann Strauss II - Emperor Waltz (Kaiser-Walzer), Op. 437 (Analysis)

Johann Strauss II Romanticism Waltz Work Analysis

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Maurice Ravel - Valses nobles et sentimentales (Analysis)

Impessionism Maurice Ravel Waltz Work Analysis

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Johann Strauss II: "Frühlingsstimmen", Op. 410 ("Voices of Spring") - Analysis

Johann Strauss II Romanticism Waltz Work Analysis

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Johann Strauss II - Tales from the Vienna Woods, Op. 325 (Analysis)

Johann Strauss II Orchestra Romanticism Waltz

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Pyotr Ilyich Tchaikovsky - Piano Concerto No. 1 in B-flat minor, Op. 23 (Analysis)

With its commanding opening, expansive lyricism, and formidable pianistic writing, Tchaikovsky’s First Piano Concerto transforms the encounter between soloist and orchestra into one of the Romantic repertoire’s most compelling journeys. i Work Information Composer: Pyotr Ilyich Tchaikovsky (1840–1893) Title: Piano Concerto No. 1 in B-flat minor, Op. 23 (TH 55 · ČW 53) Composition and revision: November 1874–February 1875 · revised in 1879 and 1888–1889 Reference version: The third edition of 1889, now standard in performance, with significant differences from the 1879 version identified where relevant Premiere: 25 October 1875, Music Hall, Boston · Hans von Bülow, piano · Benjamin Johnson Lang, conductor Genre: Concerto for piano and orchestra · Romantic Structure: Three movements Duration: ...

Wolfgang Amadeus Mozart - Piano Sonata No. 11 in A Major, K. 331 (Analysis)

In the Piano Sonata No. 11 in A major, K. 331, Mozart transforms a serene siciliana through six variations, passes through the courtly balance of the Menuetto, and culminates in the brilliant percussive energy of the Alla turca, uniting three distinct musical worlds within a single dramatic journey. i Work Information Composer Wolfgang Amadeus Mozart (1756 - 1791) Title Piano Sonata No. 11 in A major Catalogue number K. 331 / 300i Composition and revision uncertain; possibly from the late 1770s to 1783, revised before publication in 1784 First edition August 1784, Artaria, Vienna Premiere not documented Genre sonata for solo piano Musical period Classical period Structure three movements Duration approx. 18–24 minutes, depending on tempo and observance of repeats Instrument piano; in the work’s historical context, fortepiano Reference version the composer-authorised first Artaria edition, critically checked aga...

Robert Schumann - Träumerei, from Kinderszenen, Op. 15 No. 7 (Analysis)

In Träumerei, Schumann transforms an apparently simple piano melody into a space of memory: the music emerges, moves through changing harmonic light, and returns transformed, like an image of childhood recalled through the consciousness of an adult. i Work Information Composer Robert Schumann (1810–1856) Title Träumerei (“Dreaming”) Cycle Kinderszenen (Scenes from Childhood), Op. 15 Number No. 7 of 13 pieces Date of composition 1838 — Schumann’s diary records Träumerei on 24 February First edition 1839, Breitkopf & Härtel, Leipzig Key F major Metre 4/4 Instrument solo piano Form three eight-bar spans, with the first repeated; heard as A–A–B–A′ Duration approx. 2–3 minutes in most modern performances Träumerei (“Dreaming”) is one of those works whose influence seems inversely proportional to its size. In only a handful of phrases, Robert Schumann created one of the most recognisable pieces in the Rom...

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