Georges Bizet – Famous Works

Original title page of Carmen opera by Georges Bizet 1875

Frontispiece of Bizet’s Carmen, premiered in Paris in 1875.

Georges Bizet (1838 - 1875) was a central figure in 19th-century French music, whose work combines lyrical elegance with dramatic intensity and vivid orchestral color. Although his output was relatively limited, his influence proved lasting, particularly through his operatic writing.

His music bridges the traditions of French lyric opera and emerging realist tendencies, anticipating developments in late Romantic opera.

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Opera & Stage Works:

Carmen
Les pêcheurs de perles (The Pearl Fishers)
La jolie fille de Perth (The Fair Maid of Perth)
Djamileh
Le docteur Miracle
Don Procopio
Don Rodrigue (unfinished)
L’Arlésienne (incidental music)

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Symphonic Works:

Symphony in C major
Roma (Symphony in C major “Rome”)

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Orchestral Works:

Jeux d’enfants (Children’s Games) – orchestral suite
Petite suite
Ouverture “Patrie”
Scherzo and Funeral March

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Sacred / Vocal Works:

Te Deum
Clovis et Clotilde – cantata
David – cantata

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Piano Works:

Jeux d’enfants – for piano four hands
Nocturne in D major
Variations chromatiques
Chants du Rhin

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Songs (Mélodies):

Selected songs from approximately 50 mélodies, including:
- Ouvre ton cœur
- Adieux de l’hôtesse arabe

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🔎 Work Analyses of Georges Bizet on MusiLLection:

You can explore detailed analyses of selected works here:

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Robert Schumann - Träumerei, from Kinderszenen, Op. 15 No. 7 (Analysis)

The Woodman’s Child by Arthur Hughes — an image reflecting the quiet innocence and dreamlike atmosphere of Schumann’s Träumerei ℹ️ Work Information Composer: Robert Schumann Work Title: Träumerei from Kinderszenen , Op. 15, No. 7 Year of Composition: 1838 Collection: Kinderszenen (Scenes from Childhood) Duration: approximately 2–3 minutes Form: Short piano miniature Instrumentation: piano _________________________ Few piano works have managed to capture, with such simplicity and sensitivity, the world of memory as Schumann’s Träumerei . Among the thirteen pieces of Kinderszenen (1838), the seventh stands out not only for its popularity, but for its enduring poetic resonance. For Schumann, music was never merely form; it was an inner language. Kinderszenen does not depict childhood — it reflects upon it. It is the gaze of the adult toward a lost world of innocence. As Schumann himself suggested, these pieces are “recollections of a grown-up for the y...

Carl Maria von Weber - Oberon Overture (Analysis)

Costume design for a character from Oberon by Carl Maria von Weber. The opera was a great success at its London premiere in 1826, despite being rarely performed today. ℹ️ Work Information Composer: Carl Maria von Webe Title: Overture to the opera Oberon Years of composition: 1825–1826 Premiere: April 12, 1826 – Covent Garden, London Genre: Overture Structure: Single-movement form with sonata-derived elements Duration: approx. 8–9 minutes Instrumentation: Symphony orchestra _______________________________ The overture to Oberon stands as Weber’s final completed work and, in many respects, his artistic farewell. Written for London’s Covent Garden during the last months of his life, it carries an underlying tension between creative vitality and physical exhaustion. The opera itself draws on medieval and fantastical sources, loosely connected to the world of Shakespeare, though not directly aligned with A Midsummer Night’s Dream . While the stage work never secured ...

Antonio Vivaldi – "Winter" (L’Inverno) from "The Four Seasons" (Analysis)

Nicolas Poussin’s depiction of winter reflects the harshness and instability of nature — an atmosphere vividly mirrored in Vivaldi’s Winter concerto. ℹ️ Work Information Composer: Antonio Vivaldi Title: Winter (L’Inverno), RV 297 Cycle: The Four Seasons , Op. 8 Date of composition: c. 1723 Publication: 1725, Amsterdam Genre: Violin Concerto Structure: Three movements (fast – slow – fast) Duration: approx. 8–9 minutes Instrumentation: Solo violin, strings, and basso continuo ____________________________ Winter is the fourth and final concerto of The Four Seasons , and arguably the most dramatically concentrated of the four. Where Autumn centers on human activity, Winter places the human body in direct confrontation with nature. The environment is no longer festive or communal—it is hostile, unstable, and physically demanding . The human figure does not celebrate or observe. It reacts, endures, and struggles. As in the other concertos, the music is paired with...

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