Tschaikovsky - 1812 Overture, op. 49

Tchaikovsky's Overture 1812 expresses Russia's nationalist spirit for the Russians' magnificent victory over Napoleon. In 1880, when he was writing the charming Serenade for Strings, Tchaikovsky undertook to compose a "ceremonial introduction" for an exhibition of industrial art in Moscow. As a theme of his introduction he chose Napoleon's Russia Campaign, which ended with the great victory of the Russian Army. At first the composer intended the introduction to be for outdoor performance and felt that it should be "very loud and noisy". Since then the introduction has become his most famous and most popular concert work. The "1812 Overture" is in fact an introduction to a concerto, in other words is a stand-alone work of orchestral music and not an introduction to opera or a more extensive work. The play describes the invasion of Russia by Napoleon's troops in 1812 and their retreat and defeat in the winter of the same year. Despite

Chopin - Waltzes Op. 64, No.3

Chopin was not the first composer to compose waltz for piano, but his approach was particularly unique. Many composers had written similar works, but Chopin's waltzes were not intended for dance.

Chopin composed approximately twenty waltzes, bus only half were issued while he was alive. The rest of his work was published after his death and many even in a highly curated edition.


One minute Waltz, Op. 63, No. 1

The "One Minute Waltz" needs considerable technical boldness. This work was meant to last about a minute, although it is not known whether any pianist - other than Chopin himself - ever achieved that.


Waltz No. 7 in C minor, Op. 64, No. 2

This waltz is unusually expressive, drawing much of its effect from the interaction of different rhythmic patterns. It also includes a melody of exceptional beauty and emotion.


Waltz in A flat Major, Op. 64, No.3

This waltz is simple and short and the thythm is relaxed. Here Chopin has chosen a pure structure. The solf central section presents a short passage with trills, where the music is relocated. The unusual element here is that the melody is interpreted by the low-key part of the instrument.






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