Performance of the ballet "Adélaïde, ou le langage des fleurs" in 1912. The seven "Valses nobles et sentimentales" and the epilogue of this orchestral suite were originally written for piano in 1911. Maurice Ravel chose the title in homage to Franz Schubert , who had released collections of waltzes in 1823 entitled Valses nobles and Valses sentimentales. The work was first presented in Paris in a recital of anonymous compositions. Many of Ravel's fans disapproved of the music, not imagining that the deliberate "wrong notes" belonged to one of the most beloved French composers. In 1912 Ravel orchestrated the suite and presented it as a ballet under the title "Adélaïde, ou le langage des fleurs (Adelaide: The Language of Flowers). The dynamic start reminds us that this is an unusual waltz. On the contrary, the second part is slow and expressive. For this lanzy subject, Ravel chose the flute, which plays in its lower extension. With a relaxed ob...
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