MusiLLection

Portrait of Nikolai Rimsky-Korsakov , master orchestrator and leading figure of the Russian National School. Renouncing the promise of glory, security, and adventure offered by a naval career, Nikolai Rimsky-Korsakov plunged decisively into the world of music. An aristocrat by birth and largely self-taught as a musician, he left his hometown of Tikhvin and gradually transformed himself from an enthusiastic amateur into a disciplined and conscientious professional. Despite his unconventional beginnings, Rimsky-Korsakov achieved distinctions that many of his contemporaries could only dream of. By the end of the nineteenth century, he had become—after Pyotr Ilyich Tchaikovsky —one of the most celebrated and widely admired composers in Russia. As a member of the legendary group known as The Five , Rimsky-Korsakov initially embraced the ideals of Russian musical nationalism. Yet his early success was followed by a period of inner struggle. Haunted by doubts about his lack of formal music...

Portrait of Nikolai Rimsky-Korsakov, the composer who united naval discipline with musical imagination. Nikolai Rimsky-Korsakov was born on March 18, 1844, in the small town of Tikhvin, about 200 kilometers east of Saint Petersburg, near Novgorod, in northwestern Russia. He was the second son of Andrei Rimsky-Korsakov, a retired civil servant already sixty years old, and his second wife, Sofya. Sofya Vasilievna Rimskaya-Korsakova, the composer’s mother, who nurtured his early love of music. From an early age, Nikolai dreamed of becoming a sailor, inspired by both his uncle and his much older brother Voin. At the same time, his parents cultivated his love of music from the age of two. The limited musical environment of his provincial hometown, however, gradually tipped the balance in favor of a naval career. When he entered the Saint Petersburg Naval Cadet School in 1856, at the age of twelve, he continued piano lessons, but only three years later—under the guidance of the gifted teach...

Costume designs for Rimsky-Korsakov’s Scheherazade by Léon Bakst, reflecting the exotic imagery of the work. Written in 1888, Scheherazade , Op. 35 is arguably the most popular and enduring orchestral work by Nikolai Rimsky-Korsakov . The composition was inspired by One Thousand and One Nights ( The Arabian Nights ), a vast collection of Middle Eastern tales dating back to the ninth century. In the heading of the score, the composer outlines the narrative framework of the work: “The Sultan Schahriar, convinced of the infidelity of women, has sworn to put his wives to death after the first night. But the Sultana Scheherazade saves herself by entertaining him with stories lasting a thousand and one nights. She excites his curiosity, and he continually postpones her execution, finally abandoning his cruel vow. Scheherazade tells the Sultan many wondrous tales, blending poetic verse with song, fairy tales with adventure.” Rather than following a strict program, Rimsky-Korsakov uses rec...

The 1909 cover of Scheherazade , reflecting the Eastern and exotic influences that permeate Rimsky-Korsakov’s orchestral imagination. Rimsky-Korsakov’s music is distinguished by its vivid orchestral palette, narrative clarity, and imaginative use of folk and Eastern elements. His influence extended far beyond his own compositions, shaping generations of composers through both his teaching and his legendary orchestration skills. Operas -  The Maid of Pskov  (also known as  Ivan the Terrible ) - The Snow Maiden - Mlada - Sadko, Op. 5 - Mozart and Salieri, Op.48 -  The Tale of Tsar Saltan, of His Son, the Famous and Mighty Bogatyr Prince Gvidon Saltanovich, and the Beautiful Princess Swan , Op. 57 - The Golden Cockerel Orchestral Works -  Symphony No. 1 in E minor, Op. 1 -  Symphony No. 2 , Op. 9, “Antar” - Fairy Τale, Op. 29 - Capriccio Espagnol, Op. 34 - Scheherazade, Op. 35 - Russian Easter Festival Overture, Op. 36 - Sinfonietta on Russian Themes in A min...

This short music piece of Nikolai Rimsky-Korsakov was originally written as an add-on for the opera "The Tale of Tsar Saltan". The opera was first presented in Moscow in 1900 with a libretto based on a story by the great Russian poet Pushkin. The "Flight of the Bumblebee" accompanies a scene where the main character - a prince - transforms into a bumblebee. The unusual nature and pure descriptive qualities of this piece, inspired other musicians to make their own adaptations, usually for solo instruments. The popularity of this piece is in contrast to the rest of the almost forgotten opera music. A quick descending scale on the piano begins this perfect miniature portrait (in the adaptation for the piano). The opening measures o f the play serve not only as an introduction, but also set the stage - we hear the piano's attempts to mimic the buzz. From this point, the piano paints a vivid picture of the insect that its flying reminds, as much as no other, of the ...