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Showing posts with the label Johann Strauss II

Posts

Johann Strauss II - Persischer Marsch (Persian March), Op. 289 (Analysis)

Johann Strauss II March Romanticism Work Analysis

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Johann Strauss II – Wo die Zitronen blühen, Op. 364 (Analysis)

Johann Strauss II Romanticism Waltz Work Analysis

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Johann Strauss II – Famous Works

Famous Works Johann Strauss II Romanticism

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Johann Strauss II – The Blue Danube Waltz, Op. 314 (Analysis)

Johann Strauss II Romanticism Waltz Work Analysis

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Johann Strauss II – Life Milestones

Chronology Johann Strauss II Romanticism

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Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II Orchestra Polka Romanticism

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Johann Strauss II - Emperor Waltz (Kaiser-Walzer), Op. 437 (Analysis)

Johann Strauss II Romanticism Waltz Work Analysis

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Johann Strauss II: Tritsch-Tratsch-Polka, Op. 214 in A major (Analysis)

Johann Strauss II Polka Romanticism Work Analysis

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Johann Strauss II: "Frühlingsstimmen", Op. 410 ("Voices of Spring") - Analysis

Johann Strauss II Romanticism Waltz Work Analysis

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Johann Strauss II - Tales from the Vienna Woods, Op. 325 (Analysis)

Johann Strauss II Orchestra Romanticism Waltz

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Robert Schumann - Träumerei, from Kinderszenen, Op. 15 No. 7 (Analysis)

In Träumerei , Schumann transforms an apparently simple piano melody into a space of memory: the music emerges, moves through changing harmonic light, and returns transformed, like an image of childhood recalled through the consciousness of an adult. i Work Information Composer Robert Schumann (1810–1856) Title Träumerei (“Dreaming”) Cycle Kinderszenen (Scenes from Childhood), Op. 15 Number No. 7 of 13 pieces Date of composition 1838 — Schumann’s diary records Träumerei on 24 February First edition 1839, Breitkopf & Härtel, Leipzig Key F major Metre 4/4 Instrument solo piano Form three eight-bar spans, with the first repeated; heard as A–A–B–A′ Duration approx. 2–3 minutes in most modern performances Träumerei (“Dreaming”) is one of those works whose influence seems inversely proportional to its size. In only a handful of phrases, Robert Schumann created one of the most recognisable pieces in the Ro...

Ludwig van Beethoven - Piano Sonata No. 8 in C minor, Op. 13, “Pathétique” (Analysis)

Between the shadow of the Grave and the light moving across the keys, the Pathétique turns the piano into a theatre of memory, tension, and return. i Work Information Composer: Ludwig van Beethoven (1770–1827) Work title: Piano Sonata No. 8 in C minor, Op. 13, “Pathétique” ( Grande Sonate pathétique ) Year of composition: c. 1797–1798, possibly revised through 1799 First edition: Vienna, Franz Anton Hoffmeister, 1799 Dedication: Prince Karl von Lichnowsky Genre: Piano sonata Period / Style: Classical period; Beethoven’s early creative period Structure: 3 movements Duration: approx. 18–20 minutes Instrumentation: Solo piano A single C minor chord , abrupt and weighty, is enough to turn the piano into a dramatic stage. In the...

Claude Debussy – Clair de Lune (Analysis)

In Clair de lune, the musical landscape is never revealed all at once. Tonality, harmony, and melody emerge gradually, shaping a world of suspended light, delicate motion, and quiet inward reflection. i Work Information Composer: Claude Debussy (1862–1918) Title: Clair de lune , third movement of the Suite bergamasque (L. 75 · CD 82) Composition and revision: Early version c. 1890 · revised before publication in 1905 First edition: Paris, Eugène Fromont, 1905 Genre: Piano miniature · movement from a suite Structure: Flexible ternary form, A–B–A′ with coda · 72 bars Duration: Approx. 4½–5½ minutes Instrumentation: Solo piano Clair de lune begins as though something has already happened beyond our hearing. Its first phrase appears high in the piano, surrounded by rests a...

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Faith on the Steps of Batu Caves - KUALA LUMPUR, MALAYSIA

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