MusiLLection

A curated collection of writings on music, its creators, and the ideas behind it.

Search This Blog

COMPOSERS
WORKS
TERMS & CONCEPTS
MUSICAL INSTRUMENTS
REFLECTIONS
MUSIC PEDAGOGY

Showing posts with the label Domenico Scarlatti

View all

Posts

Labels

Anglaise
Anglican Chant
Anton Bruckner
Antonín Dvořák
Antonio Vivaldi
Aria
Ave Maria
Ballade
ballet
Barcarolle

Baroque
Bassoon
Bedřich Smetana
Bel canto
biography
Brass
Camille Saint-Saëns
Canon
Caprice
Carl Maria von Weber
Carmen
Castanets
Cello
César Franck
Chamber Music
Chronology
Clarinet
Classical
Claude Debussy
Claudio Monteverdi
Composer Biography
Concertina
Concerto
Counterpoint
Domenico Scarlatti
Double Bass
Edvard Grieg
English Horn
Estampes
Etude
Famous Works
Fantasie
Felix Mendelssohn
Flute
Four Seasons
Franz Liszt
Franz Schubert
Frédéric Chopin
French Horn
Fugue
Georg Philipp Telemann
George Frideric Handel
George Gershwin
Georges Bizet
Gioachino Rossini
Giuseppe Verdi
Guitar
Gustav Mahler
Harp
Harpsichord
Hector Berlioz
Horn
Hungarian Dances
Impessionism
Incidental Music
Johann Sebastian Bach
Johann Strauss II
Johannes Brahms
Joseph Haydn
Keyboard
L’ Arlésienne
Legato
Lied
Ludwig van Beethoven
Lute
Mandolin
Maracas
March
Maurice Ravel
Mazurka
Modernism
Modulation
Musical Instruments
Musical Reflections
Musical Terminology
Niccolò Paganini
Nikolai Rimsky-Korsakov
Nocturne
Oboe
Ocarina
Opera
Oratorio
Orchestra
Orchestral Music
organ
Ostinato
Overture
Peer Gynt
Percussion
Piano
Piccolo
Polka
Portamento
Prelude
Program Music
Pyotr Ilyich Tchaikovsky
Quintet
Recorder
Requiem
Rhapsody
Ricercare
Richard Wagner
Robert Schumann
Romanticism
Rubato
Sacred Music
Serenade
Sonata
Staccato
Strings
Suite
Symphonic Poem
Symphony
Tambourine
Tarantella
The Carnival of the Animals
Triangle
Trio
Trombone
trumpet
Tuba
variations
Viola
Violin
Vocal Music
Waltz
Winds
Wolfgang Amadeus Mozart
Woodwinds
Work Analysis
Work Guide
Xylophone
Βagatelle

Show more Show less

X / Twitter

Posts by MusiLLection

Popular This Month

Pyotr Ilyich Tchaikovsky - 1812 Overture, op. 49 (Analysis)

In the 1812 Overture , Tchaikovsky transforms an inward prayer into monumental public triumph: sacred, folk and national musical symbols confront and reappear within an ever-expanding orchestral landscape, until bells and cannon fire turn historical memory into a collective ritual. i Work Information Composer: Pyotr Ilyich Tchaikovsky (1840–1893) Title: The Year 1812 — Festival Overture in E-flat major , Op. 49 Year of composition: September–November 1880 First performance: 8/20 August 1882, All-Russian Arts and Industry Exhibition, Moscow · conductor Ippolit Altani Genre: Festival overture / programmatic orchestral work Aesthetic movement: Romanticism Key: E-flat major Structure: Single movement · Largo–Allegro giusto · 428 measures Duration: Approx. 15–20 minutes Instrumentation: Large symphony orchestra, expanded percussion, bells, cannon effects and optional military band in the coda Few works in the or...

Robert Schumann - Träumerei, from Kinderszenen, Op. 15 No. 7 (Analysis)

In Träumerei , Schumann transforms an apparently simple piano melody into a space of memory: the music emerges, moves through changing harmonic light, and returns transformed, like an image of childhood recalled through the consciousness of an adult. i Work Information Composer Robert Schumann (1810–1856) Title Träumerei (“Dreaming”) Cycle Kinderszenen (Scenes from Childhood), Op. 15 Number No. 7 of 13 pieces Date of composition 1838 — Schumann’s diary records Träumerei on 24 February First edition 1839, Breitkopf & Härtel, Leipzig Key F major Metre 4/4 Instrument solo piano Form three eight-bar spans, with the first repeated; heard as A–A–B–A′ Duration approx. 2–3 minutes in most modern performances Träumerei (“Dreaming”) is one of those works whose influence seems inversely proportional to its size. In only a handful of phrases, Robert Schumann created one of the most recognisable pieces in the Ro...

Ludwig van Beethoven - Piano Sonata No. 8 in C minor, Op. 13, “Pathétique” (Analysis)

Between the shadow of the Grave and the light moving across the keys, the Pathétique turns the piano into a theatre of memory, tension, and return. i Work Information Composer: Ludwig van Beethoven (1770–1827) Work title: Piano Sonata No. 8 in C minor, Op. 13, “Pathétique” ( Grande Sonate pathétique ) Year of composition: c. 1797–1798, possibly revised through 1799 First edition: Vienna, Franz Anton Hoffmeister, 1799 Dedication: Prince Karl von Lichnowsky Genre: Piano sonata Period / Style: Classical period; Beethoven’s early creative period Structure: 3 movements Duration: approx. 18–20 minutes Instrumentation: Solo piano A single C minor chord , abrupt and weighty, is enough to turn the piano into a dramatic stage. In the...

PHOTrOtters

Faith on the Steps of Batu Caves - KUALA LUMPUR, MALAYSIA

Information

About
Terms and Conditions
Privacy policy
Contact

Posts

Domenico Scarlatti – Famous Works

Domenico Scarlatti – Sonata in D minor, K.141 (Analysis)

Domenico Scarlatti – Life Milestones