MusiLLection

The term barcarolle derives from late Latin meaning “from the boat” , while in Greek it corresponds to the term “λεμβωδία” . In music, a barcarolle is a composition that evokes the traditional songs of gondoliers, fishermen, and boatmen, aiming to imitate the gentle rocking motion of a boat moving across calm or lightly disturbed waters. Barcarolles are typically short pieces of instrumental music or vocal song , most often written in compound meter , such as 6/8 or 12/8 , which enhances the characteristic swaying rhythm. Their flowing accompaniment and lyrical melodies create an atmosphere of calm, nostalgia, and quiet motion. Both instrumental and vocal barcarolles were composed by many prominent composers, including Gioachino Rossini , Felix Mendelssohn , Frédéric Chopin , Béla Bartók , and Richard Wagner , among others. One of the most famous examples of the genre is the barcarolle “Belle nuit, ô nuit d’amour” from Les Contes d’Hoffmann by Jacques Offenbach , which remains o...

  A 19th-century illustration depicting the " Hunters’ Chorus" that introduces Act Three of Carl Maria von Weber’s opera " Der Freischütz" . In 1817, Carl Maria von Weber assumed the position of composer and director of the Dresden Opera and began working on his new opera Der Freischütz . The premiere took place in Berlin on June 18, 1821, and brought Weber immediate fame. The work was soon performed widely throughout Germany and abroad, establishing his reputation as a leading figure of German Romantic opera. Der Freischütz is widely regarded as the first true German Romantic opera. It combines elements of folklore and rural life with the supernatural world of demons and dark forces, creating a powerful contrast between nature and the unknown. Although Weber composed more sophisticated music in his later operas, he never again achieved the overwhelming success and lasting international impact of Der Freischütz . The opera tells the story of Max, a young forester...

Although Requiem was a religious work, it was presented more in concert halls than in churches . Giuseppe Verdi composed his celebrated Messa da Requiem in honor of his close friend Alessandro Manzoni, the eminent Italian poet, writer, and humanist, who passed away in 1873. The Requiem is a powerful fusion of intense drama and profound passion, interspersed with moments of serene reverence. Verdi conducted the first performance at St. Mark's Church in Milan on May 22, 1874, on the first anniversary of Manzoni's death. A Revolutionary Composition Verdi’s Requiem was revolutionary in several respects. Traditionally, a requiem is a prayer of the living for the dead, but Verdi’s work engages both the living and the dead, giving it a dramatic, almost theatrical quality. Written for four solo voices—soprano, mezzo-soprano, tenor, and bass—alongside a full choir and orchestra, it follows the structure of the Roman Catholic Latin Mass for the Dead. The libretto draws directly fro...

Carl Maria von Weber composed the opera Euryanthe between 1822 and 1823, with its premiere in Vienna on October 25, 1823. The work was based on a 13th-century French medieval tale. The year of its debut saw Vienna enthralled with Italian operas, particularly those of Rossini . Although the initial reception was enthusiastic, Euryanthe ran for only twenty performances, with criticism directed at the libretto’s verbosity and the opera’s length. The poet Helmina von Chézy’s wordy libretto was largely blamed, and even Franz Schubert reportedly remarked, “This is not music.” Nevertheless, the overture stands as an outstanding example of orchestral writing and remains one of Weber’s most admired compositions. The overture opens with an energetic and cheerful phrase. Oboe and clarinet, supported by horns and trombones, introduce a theme of three emphatic notes, followed by a shorter ascending group of notes with a pronounced rhythm. The violins soon return vigorously, presenting a new mel...

Set design by Philippe Chaperon for Act IV, Scene 2 of Aida by Giuseppe Verdi , evoking the grandeur of ancient Egypt. Aida was commissioned from Giuseppe Verdi by Isma'il Pasha , Khedive of Egypt, to mark the inauguration of the Khedivial Opera House in Cairo. Although the opera was originally intended for an earlier celebration, its premiere was delayed due to the Siege of Paris during the Franco-Prussian War, which prevented the completion and delivery of costumes and stage materials. Aida finally premiered in Cairo on 24 December 1871, conducted by Giovanni Bottesini . The success was immediate and overwhelming. Since then, Aida has remained one of Verdi’s most frequently performed and beloved operas. Written in four acts, the opera features a libretto by Antonio Ghislanzoni , combining grand spectacle with intense personal drama. At its core, Aida is a story of love, war, and betrayal. The drama centers on Aida, a captured Ethiopian princess enslaved in Egypt, and Rada...

Set for Rossini's opera La Donna del Lago (The Lady of the Lake), written in 1819. Gioachino Rossini remains one of the most influential figures in the history of opera, particularly celebrated for his mastery of comic opera ( opera buffa ), his melodic brilliance, and his distinctive rhythmic vitality. His output spans opera, sacred music, instrumental works, and vocal compositions, many of which continue to occupy a central place in the repertoire. Operas: Tancredi L'italiana in Algeri (The Italian Girl in Algiers) Il turco in Italia Elisabetta, regina d'Inghilterra Il barbiere di Siviglia, ossia L'inutile precauzione (The Barber of Seville, or The Useless Precaution) Otello, ossia Il Moro di Venezia La gazza ladra (The Thieving Magpie) Armida La donna del lago (The Lady of the Lake) Semiramide Le siège de Corinthe (The Siege of Corinth) Mosè in Egitto (Moses in Egypt) Le comte Ory Guillaume Tell Sacred music: Messa di Gloria Stabat mater Petite messe solennelle Ins...

Costume design for L’italiana in Algeri , reflecting the exotic colour and theatrical elegance of Rossini’s opera buffa .    Gioachino Rossini was only twenty years old when he composed L’italiana in Algeri , a work that would mark his first major triumph in opera buffa and bring him international recognition. Written in less than a month, the opera premiered at the Teatro San Benedetto in Venice on 22 May 1813 and was greeted with immediate enthusiasm. Amazed by the opera’s success, the young composer reportedly remarked with characteristic wit: “I believed that when the Venetians heard my opera, they would consider me mad. Instead, they proved they were even madder than I was.” The French writer Stendhal , a passionate admirer of Rossini, famously described the work as “an organized and complete madness.” The opera was composed rapidly to fill an unexpected gap in the programme of the San Benedetto Theatre. Rossini had just achieved a sensational success with Tancredi ,...

Carl Maria von Weber Operas: Das Waldmädchen (The Girl of the Forest) Peter Schmoll und seine Nachbarn (Peter Schmoll and his Neighbours) Abu Hassan Der Freischütz (The Freeshooter) Die drei Pintos (The Three Pintos) Euryanthe Oberon Orchestral: Symphony No. 1 in C major Symphony No. 2 in C major Piano Concerto No. 1 in C major, Op. 11 Clarinet Concerto No. 1 in F minor Clarinet Concerto No. 2 in E flat major, Op. 74 Bassoon Concerto in F major Konzertstück in F minor for Piano and Orchestra Chamber music: Clarinet Quintet in B flat major, Op. 34 Piano Quartet in B flat major, Op. 18 Grand duo concertant in E flat major, Op. 48 (Clarinet, Piano) Trio in G minor for flute, violoncello and piano, Op. 63 Songs: Die Kerze Umsonst ensagt ich Entfliehet schnell von mir Wiedersehen Other: Missa sancta No. 1 in E flat major, Op. 75a Missa sancta No. 2 in G, "Jubelmesse", Op. 76

  Gioachino Rossini, composer of Semiramide , one of the last and most monumental operas of his Italian period. Semiramide is one of Gioachino Rossini ’s most ambitious and serious operatic works , marking the culmination of his Italian opera career before his final masterpiece, Guillaume Tell . Composed in two acts , the opera premiered at La Fenice Theatre in Venice on February 3, 1823 . The libretto by Gaetano Rossi is based on Voltaire’s tragedy Semiramis , itself inspired by the ancient legend of Semiramis, Queen of Assyria . One of the most distinctive features of Semiramide is its overture , which draws directly on thematic material from the opera itself. This approach strengthens the dramatic continuity between the instrumental opening and the unfolding stage action, anticipating techniques later adopted by Romantic composers. The overture opens with ominous drum rolls , followed by a rapid crescendo from pianissimo to fortissimo in less than half a minute—an immediate...