Skip to main content

MusiLLection

A curated collection of writings on music, its creators, and the ideas behind it.

Search This Blog

COMPOSERS
WORKS
TERMS & CONCEPTS
MUSICAL INSTRUMENTS
REFLECTIONS
UNDERSTANDING MUSIC

Posts

Franz Liszt - Consolations in E Major and D flat Major

Franz Liszt Romanticism

+

Bedřich Smetana - String Quartet No. 1 in E minor (Analysis)

Bedřich Smetana Chamber Music Romanticism Work Analysis

+

Harpsichord: the keyboard instrument of the Baroque era

Harpsichord Keyboard Musical Instruments

+

Joseph Haydn - String Quartet No. 62 in C major, Op. 76, No. 3 "Emperor" (Analysis)

Chamber Music Classical Joseph Haydn Work Analysis

+

Maurice Ravel - Valses nobles et sentimentales (Analysis)

Impessionism Maurice Ravel Waltz Work Analysis

+

Claude Debussy - Jardins sous la pluie, from Estampes (Analysis)

Claude Debussy Estampes Impessionism Piano Work Analysis

+

Anton Bruckner - Introduction

Anton Bruckner Musical Reflections Romanticism

+

Johann Strauss II: "Frühlingsstimmen", Op. 410 ("Voices of Spring") - Analysis

Johann Strauss II Romanticism Waltz Work Analysis

+

Antonio Vivaldi – "Autumn" (L’Autunno) from "The Four Seasons" (Analysis)

Antonio Vivaldi Baroque Concerto Four Seasons Program Music Work Analysis

+

Robert Schumann - Famous Works

Famous Works Robert Schumann Romanticism

+

Wolfgang Amadeus Mozart: Symphony No. 40 in G minor, K. 550 (Analysis)

Classical Orchestra Symphony Wolfgang Amadeus Mozart Work Analysis

+

Labels

Anglaise
Anglican Chant
Anton Bruckner
Antonín Dvořák
Antonio Vivaldi
Aria
Ave Maria
Ballade
ballet
Barcarolle

Show more Show less

X / Twitter

Posts by MusiLLection

Popular This Month

Mozart - Piano Sonata No. 11 in A Major, K. 331 (Analysis)

In the Piano Sonata No. 11 in A major, K. 331, Mozart transforms a serene siciliana through six variations, passes through the courtly balance of the Menuetto, and culminates in the brilliant percussive energy of the Alla turca, uniting three distinct musical worlds within a single dramatic journey. i Work Information Composer Wolfgang Amadeus Mozart (1756 - 1791) Title Piano Sonata No. 11 in A major Catalogue number K. 331 / 300i Composition and revision uncertain; possibly from the late 1770s to 1783, revised before publication in 1784 First edition August 1784, Artaria, Vienna Premiere not documented Genre sonata for solo piano Musical period Classical period Structure three movements Duration approx. 18–24 minutes, depending on tempo and observance of repeats Instrument piano; in the work’s historical context, fortepiano Reference version the composer-authorised first Artaria edition, critically checked aga...

Bedřich Smetana: Vltava (The Moldau) - Analysis

From two small springs to the majestic approach to Prague, Smetana’s Vltava transforms the river’s flow into a musical image of Bohemia, where landscape, legend, and historical memory merge within a single symphonic journey. i Work Information Composer: Bedřich Smetana (1824–1884) Work title: Vltava — also widely known as Die Moldau / The Moldau Cycle: Má vlast ( My Homeland ), No. 2 Date of composition: 20 November – 8 December 1874 Premiere: 4 April 1875, Žofín Palace, Prague Conductor: Adolf Čech Genre: Symphonic poem Musical period: Romanticism — Czech national school Structure: One continuous movement formed from successive programmatic episodes Principal key: E minor, concluding in E major Duration: approx. 12–15 minutes Catalogue: JB 1:112/2 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, triangle, cymbal...

Robert Schumann - Träumerei, from Kinderszenen, Op. 15 No. 7 (Analysis)

In Träumerei, Schumann transforms an apparently simple piano melody into a space of memory: the music emerges, moves through changing harmonic light, and returns transformed, like an image of childhood recalled through the consciousness of an adult. i Work Information Composer Robert Schumann (1810–1856) Title Träumerei (“Dreaming”) Cycle Kinderszenen (Scenes from Childhood), Op. 15 Number No. 7 of 13 pieces Date of composition 1838 — Schumann’s diary records Träumerei on 24 February First edition 1839, Breitkopf & Härtel, Leipzig Key F major Metre 4/4 Instrument solo piano Form three eight-bar spans, with the first repeated; heard as A–A–B–A′ Duration approx. 2–3 minutes in most modern performances Träumerei (“Dreaming”) is one of those works whose influence seems inversely proportional to its size. In only a handful of phrases, Robert Schumann created one of the most recognisable pieces in the Rom...

Latest from PHOTrOtters

Loading the latest post…

Information

About
Terms and Conditions
Privacy policy
Contact

Powered by Blogger

© MusiLLection – All content is protected. Sharing excerpts with credit and a link to the source is permitted. Full reproduction requires prior written permission.