Skip to main content

Wolfgang Amadeus Mozart – Famous Works

Painting with chamber music quartet in reception room
A chamber music scene featuring a string ensemble in an 18th-century reception room.

Wolfgang Amadeus Mozart stands as one of the defining figures of the Classical era, whose music embodies formal clarity, balance, and expressive immediacy. His output spans nearly every major genre of his time, including opera, symphony, concerto, and chamber music.

Mozart’s works are catalogued using the Köchel (K or KV) catalogue, established by Ludwig von Köchel in the 19th century, which remains the standard reference system today.

___________________________

Operas

  • Don Giovanni, K. 527
  • The Marriage of Figaro, K. 492
  • The Magic Flute, K. 620
  • Così fan tutte, K. 588
___________________________

Choral / Sacred Works

  • Requiem in D minor, K. 626
___________________________

Symphonies

  • Symphony No. 35 in D major, K. 385 “Haffner”
  • Symphony No. 36 in C major, K. 425 “Linz”
  • Symphony No. 38 in D major, K. 504 “Prague”
  • Symphony No. 40 in G minor, K. 550
  • Symphony No. 41 in C major, K. 551 “Jupiter”
___________________________

Piano Concertos

  • Piano Concerto No. 20 in D minor, K. 466
  • Piano Concerto No. 21 in C major, K. 467
  • Piano Concerto No. 23 in A major, K. 488
  • Piano Concerto No. 26 in D major, K. 537 “Coronation”
___________________________

Violin Concertos

  • Violin Concerto No. 3 in G major, K. 216
  • Violin Concerto No. 4 in D major, K. 218
  • Violin Concerto No. 5 in A major, K. 219
___________________________

Horn Concertos

  • Horn Concerto No. 2 in E-flat major, K. 417
  • Horn Concerto No. 3 in E-flat major, K. 447
  • Horn Concerto No. 4 in E-flat major, K. 495
___________________________

Concertos for Other Instruments

  • Concerto for Flute and Harp in C major, K. 299
  • Clarinet Concerto in A major, K. 622

___________________________

Chamber Music

  • String Quartet No. 17 in B-flat major, K. 458 “Hunt”
  • String Quartet No. 18 in A major, K. 464
  • String Quartet No. 19 in C major, K. 465 “Dissonance”
  • Clarinet Quintet in A major, K. 581
  • Eine kleine Nachtmusik (Serenade No. 13 in G major), K. 525 
___________________________

Comments

Popular posts from this blog

Robert Schumann - Träumerei, from Kinderszenen, Op. 15 No. 7 (Analysis)

The Woodman’s Child  by Arthur Hughes — an image reflecting the quiet innocence and dreamlike atmosphere of Schumann’s  Träumerei ℹ️ Work Information Composer:   Robert Schumann Work Title: Träumerei from Kinderszenen , Op. 15, No. 7 Year of Composition: 1838 Collection: Kinderszenen (Scenes from Childhood) Duration: approximately 2–3 minutes Form: Short piano miniature Instrumentation: piano _________________________ Few piano works have managed to capture, with such simplicity and sensitivity, the world of memory as Schumann’s Träumerei . Among the thirteen pieces of Kinderszenen (1838), the seventh stands out not only for its popularity, but for its enduring poetic resonance. For Schumann, music was never merely form; it was an inner language. Kinderszenen does not depict childhood — it reflects upon it. It is the gaze of the adult toward a lost world of innocence. As Schumann himself suggested, these pieces are “recollections of a grown-up for the y...

Frédéric Chopin – Ballade No. 1 in G minor, Op. 23 (Analysis)

The famous monument to Frédéric Chopin in Paris, reflecting the dramatic and poetic spirit of his music. ℹ️ Work Information Composer:   Frédéric Chopin Title: Ballade No. 1 in G minor, Op. 23 Date of composition: 1831–1835 Dedication: Baron Nathaniel von Stockhausen First publication: 1836 Approximate duration: 9–10 minutes Form: Free narrative form with elements of sonata structure Instrumentation: Piano solo _____________________________ In early 19th-century aesthetics, the word “ballade” did not imply a codified musical structure but a narrative impulse rooted in poetry. Adam Mickiewicz’s dramatic ballads shaped an entire generation of Polish Romantic thought, and it was within this cultural atmosphere that Frédéric Chopin conceived his four Ballades. Yet Chopin did something unprecedented: he transformed a literary narrative model into an autonomous instrumental form. Unlike Robert Schumann , who frequently embedded explicit literary or autobiographical refere...

Antonio Vivaldi - Concerto for Two Violins in A minor, Op. 3 No. 8, RV 522 (Analysis)

Regatta on the Grand Canal, Venice — an image that reflects the vibrant atmosphere and festive spirit of the city in Vivaldi’s time. ℹ️ Work Information Composer: Antonio Vivaldi Work Title: Concerto in A minor, Op. 3 No. 8, RV 522 Collection: L’estro armonico Date of Composition: c. 1711 Published: Amsterdam Form: Concerto for two violins and string orchestra Structure: Three movements (fast – slow – fast) Duration: approx. 8–10 minutes ___________________________ At the beginning of the eighteenth century, the concerto was still a developing form, balancing between freedom and emerging structural clarity. In L’estro armonico , Antonio Vivaldi gives this form a new definition—one that combines energy with precision, spontaneity with design. The Concerto in A minor, RV 522, stands among the most compelling examples of this transformation. Written for two solo violins, it does not rely on opposition alone, but on interaction. The soloists do not compete for prominenc...